LES TRUCS are Tobi and Charlotte, who with their synthesizers and samplers play an electronic version of hardcore. Noisy electronics, yin and yang, chaos and cosmos… with a helmet. Strongly recommended!  / SEX JAMS are you new favourite bans. The Vienna-based group plays dynamic and energetic noise pop.

Look at them now! faces and negotiates the absurdity of watching and being watched, crossing borders between going to the zoo and going to a performance.

Seated on the stage, the dancer performs the choreography only with facial expression. The camera, attached to her head, captures the image of her face and we can follow the movement of facial muscles by way of a real time image analysis programme. The movements of the dancer’s lips trigger the pre-recorded interpretation of the text, namely the application documentation and content directives by a selected European cultural foundation to grant subsidies to art projects. By moving her eyes, the dancer modulates the sound of the recorded text, thereby expressing that minimal freedom in the interpretation of the predetermined content that the artist in today’s world of culture financing still possesses.

Dedublarea is a reaction to a certain educational system. The dancers has tried to approach dance and its choreographic problematics with irony and distance. This comfort allowed her to place herself lucidly in the middle of quotations, clichés, and references. She has transformed poor examples of choreographic conventions and rules into good and usable material. You never know when frustrations become a source of inspiration.

BELI SLADOLED (White ice cream) is a world-renown painting group consisting of two academic painters, Miha Perne and Leon Zuodar. They develop drawing as an autonomous fine art medium. Beli sladoled acts on the principle of the »Kinder egg«, which means that their every exhibition is a surprise on its own.

This investigation-in-performance or performance-in-investigation by Min Kyoung Lee is putting the questions about dance and theatre on stage. Min begins the work with particular assumptions, namely, that dance is an event, something that either happens or not, that dance is first an experience, before it is used as a medium for conveying meanings in theatre. Thus, Min is asking herself: what is dance doing on stage, what is dance as experience for the spectator?

The performance Ways of Love embarks on a research, investigation, and formulation of a common language of two authors with very different formal backgrounds and experiences. They meet through common themes and common working process, with which they at the same time investigate the dialectics of this particular creative collaboration. The process and the product centre on the intimacy created in the artists’ encounter.

The festival’s aim is to introduce Slovenian musicians that create experimental music. Special attention will be given to younger generation, which will be side by side with two internationally acclaimed artists. / Socializing, workshops, sessions and concerts. Performing on the first day of the festival: Tomaž Grom & Zlatko Kaučič, N’toko ter Irena Tomažin & Marko Karlovčec.

The festival’s aim is to introduce Slovenian musicians that create experimental music. Special attention will be given to younger generation, which will be side by side with two internationally acclaimed artists. / Performers of the second day of the festival: Zlatko Kaučič, Danijel Marinič & Jaka Berger, BUČE 4 and Free Willys.